论文部分内容阅读
(一)人书(画)俱老之境,非自然变化所得,应辅以个人加速度。方向如何、力道如何、比例如何、时间如何……都会影响境界高低。意境高远的书画作品皆为哲学,因主旨脱离常规技法范畴,故常人看不懂。不仅常人,多年从事书画教学、研究和创作之人,亦多数拾人牙慧、人云亦云、方及皮毛。非有手而能表寓意,非有眼而能辨是非,非有耳而能识天籁,非有心而能察神理。同一幅书画作品,鉴于观者阅历、道德、心胸、思想、天分、修养等不尽相同,观后感应亦千差万别。但艺术是有主线的,谁靠得越近、把握得越准、挖得越深,谁就越能反映真理。现实往往是,各说各话、各占山
(A) people’s books (painting) All the living conditions, non-natural changes in income, should be supplemented by personal acceleration. How to force direction, how the ratio, how time ... will affect the level of. Lofty artistic and artistic works of calligraphy and painting are all philosophical, because the subject is out of the normal technical areas, so ordinary people do not understand. Not only ordinary people, many years engaged in painting and calligraphy teaching, research and creation of people, but also most of the people picked up, others, side and fur. Non-hand and the table can mean moral, non-glance distinguishing right and wrong, non-ear and can understand the sounds of nature, not the heart and can investigate God. The same piece of calligraphy and painting works, in view of the viewer experience, morality, mind, thoughts, talent, self-cultivation are not the same, the concept of feeling after the review also vary widely. But art is the main line. The closer you get, the more you grasp it, the deeper you dig. The more you reflect the truth. The reality is often, say each word, each occupy the mountain