中国画尚意,从来论画品最高者,皆是写意之作,故水墨写意之道,窃以为是中国画之大道。近代很长的时间里,表面繁荣的水墨人物画的发展,是以疏离中国画写意精神为代价的。20世纪初,康有为认为中国画疏浅,把科学和写实作为标准,认为中国画的写意精神是中国画衰败的原因。徐悲鸿更是身体 Chinese painting still Italy, has always been the highest on the painting, are all freehand writing, so freehand brushwork, stolen thought is the road to Chinese painting. In a very long period of time in modern times, the development of a flourishing ink figure painting at the expense of alienating the freehand spirit of Chinese painting came. At the beginning of the 20th century, Kang Youwei thought that Chinese painting was shallow and that science and realism were the standards. He thought that the freehand spirit of Chinese painting was the reason for the decline of Chinese painting. Xu Beihong is the body