鲁公后人振卿君,和他的远祖一样,身在行伍却钟情书法,成就斐然,又于文学、音乐等颇多涉猎,亦颇有成就。这些字外功的修养加上他本人的刻苦修炼,可以让我们从振卿君的作品中同时读到一种豪气和一种书卷气,从这个意义上说,他是继承了先祖的衣钵的。很长时间的书风演变使得书坛擅榜书者寥寥,大家都钻研小行草,振卿君却是将榜书这朵奇葩发扬光大了。他的榜书夹带草意,似颜似柳,这借鉴了米芾、王铎等,有唐法、宋意、明清之态,也有对现当代的墨色变化的追求和中侧锋并用,线条恣意豪放,纵横捭阖,大开大合,致广大而尽精微,不计工拙,谋篇布局,经营位置,游刃有余。一般书法家由于很多原因将小楷视为畏途,都会回避,也是由于小楷书不容易创作的缘故,乏人问津。振卿君的小楷书则较好地体现了他的传统功力的深厚,天真烂漫,一任自然,若不经意地写出了神采。在结体和笔画的表现上,他也恰当地融入了魏碑和行书意味,有效地避免了呆滞等常见弊病。 Like the ancestors of his ancestors, Zhenqing’s later emperor, Zhenqing Jun, is enjoying great achievements in literary works and music. The cultivation of these words, together with his own hard practice, allow us to simultaneously read a kind of pride and a bookish spirit from Zhen Qingjun’s works, in the sense that he inherited the ancestral mantle. Very long time evolution of the writing style makes the book a few of the best book, we all study grass, Zhenqing Jun is the book this wonderful work flourished. His book book with grass and meaning, like Yan like Liu, which draws Mi Mi, Wang Duo and so on, Tang law, Song Italy, the Ming and Qing dynasties, but also the pursuit of contemporary ink changes and the use of side-front, Unbridled bold line, vertical and horizontal 捭 阖, wide open, caused by the vast and subtle, regardless of work clumsy, seek layout, business location, ease. The average calligrapher sees the lower case as a dreadful road for many reasons and will both sidestep it. It is also due to the fact that the small regular script is not easy to create. Zhenqing Jun’s small regular script is a better expression of his traditional skill of the deep, naive, natural one, if inadvertently write a look. In the performance of the body and strokes, he also properly integrated into the Wei Bei and Xingshu means effectively avoid the sluggish and other common ills.