陈迹:看你30世纪90年代中、后期的作品,画幅其实都很大,但里面的元素却都很细小,很密集,这种元素的“小”跟大画的“整”其实是一个冲突,包括细节的笔精墨妙变化丰富也是与大画的“立”有冲突的,你为什么要这样来表现呢?李劲堃:我觉得自己不是一个属于很有才气的画家。我没办法可以很简练就把自己的意思说明清楚,这是第一;第二,我是属于很需要劳动量的,能证明自己已经劳动了的一个画家;第三,我认为所 Ruins: see you in the mid-90s of the 20th century works, the picture is actually very large, but inside the elements are very small, very dense, this element of “small” with the big picture In fact, a conflict, including the details of the pen wonderful changes are rich and large paintings “Li ” there are conflicts, why do you want to behave like this? Li Jin Kun: I think I am not a very talented painter. I have no way to be very concise to clarify my meaning, this is the first; second, I belong to a very labor-intensive, to prove that they have worked a painter; third, I think