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在美术馆读画的过程中,各种题材、各种时期、各种构图、各种色彩的绘画从眼前飘过,纷繁复杂;在感叹人类绘画艺术创造力的同时,我不止一次的质问自己:绘画呈现千变万化,那么有没有一个相对通用的构图形式,或者说绘画艺术的脊梁?后来我得到了答案,答案并非来自神谕,而是来自感悟,我似乎初步发现了绘画干变万化背后的脊梁骨。如果绘画艺术比作是一个人的血肉之躯的话,抽象架构应该比作是整个血肉之躯的骨架,骨架使得躯体有一个框架让所有的肌肉血管器官等能
In the art museum reading and drawing process, all kinds of themes, various periods, various composition, various colors of paintings drifting past, complicated; lamenting the creative power of human painting at the same time, I more than once asked myself : There are many variations in painting, so is there a relatively common composition or the backbone of painting? Then I got the answer, not from oracles, but from sentiment, and it seems that I have initially discovered behind the changing of painting The backbone of the spine. If the art of painting is likened to the flesh and blood of a person, the abstract structure should be likened to the skeleton of the whole flesh and blood and the skeleton allows the body to have a framework for all muscular vascular organs