威尼斯双年展并没有一个所谓统一的主题,每个展览似乎都有一个主题。我觉得不管主题指向一种什么价值,重要的是艺术家是否对他所处的时代和情景有一个反思,是否能用一个直观的方式表达出来。我这次的作品是精致的伤害系列里面的作品,是用打孔器在一株活的植物的叶片边缘打上蕾丝花边。因为展览持续时间长,一棵活着的植物会发生很多变化的,没人可以替代我对作品进行维护。我喜欢发掘隐藏在精致优雅之下的疼痛感,这种体验其实 The Venice Biennale does not have a so-called unified theme, and every exhibition seems to have a theme. I think no matter what the value of the theme points to, it is important whether the artist has a reflection on the times and situations in which he lives and whether it can be expressed in an intuitive way. My current work is a series of works in the delicate injury series, using a hole punch on the edge of a leaf of a living plant with a hole punch. Because the exhibition lasted for a long time, many changes took place in a living plant. No one could replace me in maintaining my work. I like to discover the pain hidden in the refined elegance, this experience in fact