黄仲则(1749-1783)是清代乾嘉时期“性灵派”诗人,被誉为唐宋以后独一无二的“诗歌圣子”、“大清三百年第一诗人”。他的诗歌被称为盛世哀音的典型,与纳兰容若词并称为清代文坛诗词双璧。怀才不遇的感慨与寒士的无奈悲凉在其诗歌中交融在一起,济苍生的伟大理想与卑微人生的矛盾,使其诗中充满了文人末路的深沉感慨。黄仲则生活的时代正值清王朝的全盛时期,即所谓一统繁荣的“乾嘉盛世”。然而,与此同时,封建的官僚政治已经开始露出腐败的迹象, Huang Zhongzai (1749-1783) was the poet of “gentry school” in the period of Qianlong and Qianqing in the Qing Dynasty. He was praised as the unique poem “Son of Heaven” after the Tang and Song Dynasties, and “the first poet of the Three Hundred Years of Qing Dynasty”. His poetry is known as the typical sad song, and Nalan Rongrong words and called the Qing Dynasty literary double. The unseen emotion and the desolateness of the poor are mixed together in his poetry, and the contradiction between the great ideal of sacrificing the common people and the humble life makes his poem full of the deep feeling of the literati at the end. Huang Zhong’s life era coincided with the heyday of the Qing Dynasty, the so-called unified and prosperous “Qianjia prosperity.” However, at the same time, feudal bureaucratic politics have begun to show signs of corruption,