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大量的舞蹈作品通过一人为脉络主线进行整个作品的贯穿推动用于揭露整个作品的主旨,目前正在演出的由巴金先生的《家》改编的同名舞剧《家》通过高价大少爷(觉新)的第一人称视角讲述了整个封建家庭内部的运作模式,与那个时代所发生的一切,这不仅让笔者回想起由王舸编创的女子群舞作品《凤悲鸣》,在这类叙事性舞蹈作品中所蕴含的虚幻力量深深地冲击了观众们的视觉神经,从编创思路、主体框架到技法应用都让人耳目一新。故,笔者希望通过《凤悲鸣》这样一部优秀作品试论叙事舞蹈中暗含的两种修辞手法。
A large number of dance works through the main theme of a single thread through the entire work to expose the theme of the entire work to expose the ongoing performance of the home by Mr. Ba Jin's adaptation of the same name theatrical home through high price big young master The first-person perspective tells the whole mode of operation within the feudal family and what happened in that era. This not only reminds the author of the poetic song “Feng Shuming”, a group dance composed by Wang Tuan, which is contained in such narrative dance works Of the illusion of the power of the audience's deep impact on the visual nerves, from creating ideas, the main framework to techniques are refreshing. Therefore, I hope that through the “Fengshen Ming” such an excellent work on the narrative dance implied in the two rhetorical devices.