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作品《春雨宜人》拍摄于北京颐和园十七孔桥。作者选择初春时节,细雨蒙蒙的时刻,采用黑白胶片,运用高调摄影技法,使原本沉闷的天气变得清新、素雅。作者在构图中运用透视关系中近大远小的原理,用小光圈增大景深,让桥体形成三角形(金字塔形)构图,使画面均衡、稳定,更渲染了恬静的春天气氛。几位打伞的游人错落有致地分布在画面当中,形成跳跃的视觉中心,使静谧的春色凭添生机;手中的雨伞、前景的倒景与整个画面交相呼应,共同构
Works “pleasant spring rain” shot in Beijing Summer Palace 17 hole bridge. The author chose the early spring season, drizzle time, the use of black and white film, the use of high-profile photography techniques, the original boring weather has become fresh and elegant. The author uses the principle of near-maximum and far-small perspectives in composition, increases the depth of field with a small aperture, and allows the bridge body to form a triangle (pyramid) composition so as to balance and stabilize the picture and even render the quiet spring atmosphere. Several umbrella visitors scattered patchwork in the picture, forming a jumping visual center, so that the quiet spring with vitality; hands of the umbrella, the foreground of the landscape and the entire picture echoed each other, the common structure