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分析了在当今设计学科的视野下,性别化设计在产品设计领域中已经占有的一定位置以及其与社会的总体发展态势和受众思想的解放相关联的原因。通过站在设计批评的高度审视这种设计现象,不仅可以厘清性别化设计的形成原因,更可以从文化的角度在相反的层面上找出其对于设计批评本身的学科影响和促发这种影响的原因,最后可以在我们的文化图景之中确定设计与批评以及两性之间的身份意识。
Analyzes the position that gender-based design already possesses in the field of product design in the context of today’s design disciplines and why it is associated with the overall social development and emancipation of the audience’s mind. By observing this design phenomenon from the standpoint of design criticism, not only the reason for the formation of gender-based design can be clarified, but also the disciplinary influence on design criticism itself can be found from the perspective of culture and the influence can be promoted The reason for this is that ultimately, design and criticism can be identified in our culture, as well as awareness of identity between the sexes.