“书不尽言,言不尽意”。(《易·系辞上》)任何一种表达方式作为手段,都有不够完善之处,都无法穷尽其对象所包含的意义。“可以言论者,物之粗也,可以意致者,物之精也;言之所不能论,意之所不能察致者,不期精粗焉。”(《庄子·秋水》)人事幻变的外形现象及其内蕴确实难以用言词表达或表达清楚、完备,只能意会、领略,所谓“得意而忘言。”(“庄子·外物》)中国哲学的”言意“之辨在审美意识上反映为审美不限于表层现象和感性外表,而是超越形相、审美的内涵趋于精深,富于精神深度和意味。顾恺之的画论命题”迁想妙得“就是这种审美意识的最好体现。”迁想“即 ”The book is not full of words, not enough words “. (”Easy copulative“) any means of expression as a means, there are imperfections, are unable to exhaust the meaning of its objects. ”(“ Zhuangzi Qiu Shui ”)“ You can comment on those things, the thick things can also be intended that the essence of things are also; can not talk of words, meaning can not be prosecuted, The phenomenal appearance and its implication of personnel disillusionment are indeed difficult to express clearly or completely by words or expressions, and can only be realized and appreciated. The so-called ”(“ Zhuangzi foreign objects ”) Chinese philosophy “Meaning” is reflected in the aesthetic sense of the aesthetic is not limited to surface phenomena and emotional appearance, but beyond the phase shape, aesthetic connotation tends to be refined, full of spiritual depth and meaning. Think wonderful "is the best embodiment of this aesthetic awareness