《小花》放映以来,我们听到许多对影片的反映,有热情的赞扬,也有不同意见的批评。在张铮导演的领导下,我参加了《小花》的创作,下面想谈谈在《小花》创作中我们的求索。《小花》的创作和拍摄,从内容到形式的探索都带有一定的“叛逆”性质。它既不是军事科教片,也不是某一辉煌战役的记录,它不负有表现某一战役思想的任务。它只是通过三兄妹的命运,谱写了一首革命战争的抒情曲。 Since the screening of “Little Flowers,” we have heard many reports of films, warm testimonies and criticisms of different opinions. Under the leadership of Zhang Zheng, I participated in the creation of “Little Flowers,” and I would like to talk about our quest in the creation of “Little Flowers.” The creation and filming of “Little Flowers” carry a certain “rebellious” nature from content to form exploration. It is neither a military science education film nor a record of a glorious campaign, nor does it bear the task of representing a certain battle idea. It is only through the fate of the three brothers and sisters, wrote a lyrical song of the revolutionary war.