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当代电影中的暴力美学表现是学界所关注的热点问题,对于暴力美学的定义表述也是多种多样,然而,笔者认为学界对于暴力美学的论述不甚完备,或只是片面的认定暴力美学对道德评判的忽视和弱化,或只是停留在对暴力美学现象层面的概括结语,并没有挖掘出支撑暴力美学的内核。本文将从道义的视角以具体的影视作品对暴力在荧幕上的展现及其所呈现的美学进行道义暴力美学和非道义暴力美学的美学含义,文化内涵进行分析。
The contemporary aesthetics of violent aesthetics in movies is a hot issue that scholars pay close attention to. There are many definitions of violent aesthetics. However, I think the academic circles have not fully elaborated on aesthetics of violence or just concluded that violent aesthetics Neglect and weakening, or just stay in the general conclusion of the level of violence aesthetics, and did not dig out the kernel to support violent aesthetics. This article analyzes the aesthetic meaning and cultural connotation of the aesthetical and non-moral aesthetics of moral violence from the perspective of morality in terms of the concrete film and television works on the display of the violence on the screen and the aesthetics presented by it.