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很久就听说《鸳鸯楼》穿了一身不同凡响的艺术新装。但看完后,我始终没看到这套奇妙的衣服在哪里。只好斗胆把自己的真实感受说出来(电影院中一个个中途退场的观众给了我勇气)。电影是艺术。艺术应是能使人回味无穷的醇醪。然而《鸳鸯楼》可以说是一杯白开水。确实,《鸳鸯楼》里的人物、景物、声音都是真实自然的,几乎看不出有人工的痕迹。但我们不明白,编导者要弄这些人物、景物、声音干什么?编导者有什么思想感情要向我们表达?或者是他对生活有什么独特的看法?《鸳鸯楼》里可以说什么也没有,或者说它有的东西我们都清楚明白,它丝毫也没有提供给我们新的东西,没有给我们丝毫新信息。《鸳鸯楼》的编导者的眼睛对生活只是浮光掠影地看了一眼,只看到了生活的极肤浅的表面。他看到的我们也看到了,而且早就熟悉了,所以我们丝毫也不为他所看到的东西吃惊、激动、
Long time I heard “Mandarin Duck House” wearing an extraordinary new art. But after reading, I have never seen this wonderful clothes. Only to vent their true feelings (in the cinema one by one halfway audience gave me the courage). Movies are art. Art should be able to make people memorable alcohol mash. However, “Mandarin Duck House” can be said to be a cup of boiled water. Indeed, “Yuanyang House” in the figures, scenery, sounds are real and natural, almost can not see any traces of labor. But we do not understand, the director wants to get these people, scenery, sound do? Editor’s thoughts and feelings to express to us? Or what is his unique view of life? “Yuanyang House” can say nothing, Or what it has we all know very well that it did not provide us with something new, did not give us the slightest new information. “Yuanyang House,” the director’s eyes on life is just a glimpse of the glance, only to see the extremely shallow surface of life. We saw what he saw, and we were already familiar with it, so we were neither surprised nor excited at what he saw,