日本文学史上的新感觉派形成于20世纪二、三十年代,打破了传统小说的情节连续性和时序性,而以人物思想感情的发展或作者创作思想的需求为线索,来编织小说情节的跌宕多姿,特别注重小说技巧的创新。新感觉派作家的创作都是起步于现实主义手法的,但是他们基于“在创作上独自去走一条新的路径”的想法,刻意移植和实验现代派的“新兴”技巧,有意识地把各种非现实主义的技巧即意象表现和表象直陈运用到自己的创作之中。 The new sensationism in the history of Japanese literature was formed in the 1920s and 1930s and broke the plot continuity and timeliness of the traditional novels. However, the novel sensations in the history of Japanese literature were clues to the development of the thoughts and emotions of the characters or the needs of the authors’ creative thinking Up and down, with particular emphasis on innovation in fiction skills. Neo-sensationalist writers started their works based on realism, but based on the idea of ​​“going a new path in their own creation”, they deliberately transplanted and experimented with modernist “emerging” techniques and conscious The various non-realist techniques that image performance and appearance straightforward applied to their own creation.