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书画装裱,是服务于书画作品的装潢工艺,也是我国古老的民族工艺。通过与书画作品的有机结合,形成了完整的、系统的、独立的艺术形式。因历史悠久、民族特色浓郁,故同中国的京剧、书法和国画一样,被看作是一种具有特殊魅力的东方艺术,并在历史发展的长河中形成了特有的民族风格和民族底蕴。本文结合自己的多年学习和实践经验,试就中国书画装裱艺术的起源、工序及需要注意的相关问题,谈一点粗浅的认识。一、书画装裱的起源唐代书画鉴赏收藏家张彦远的《历代名画记·论装襟轴》记载:“自晋代以前,装背
Painting and painting framed, is the service of painting and calligraphy works of decorating process, but also our country’s ancient national craft. Through the organic combination of calligraphy and painting, a complete, systematic and independent art form is formed. Because of its long history and rich national characteristics, it is regarded as a kind of oriental art with special charisma like Chinese opera, calligraphy and Chinese painting. It has also formed unique national style and national heritage in the long history of development. This article, combined with my years of study and practical experience, tries to discuss the origin, process and issues that need attention in the art of Chinese calligraphy and painting. First, the origin of calligraphy and painting framed in the Tang Dynasty Appreciation of collectors Zhang Yanyuan’s ”history of famous paintings in mind with installed lapel axis“ records: ”Since the Jin Dynasty, fitted back