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在明清画坛,大部分闺阁画家追随时尚,选择了花鸟画创作,只有极少数人因各种原因参与到人物画的创作中来,绘制了一系列表现女性的仕女画、反映男性社会生活的士人画以及宗教题材的人物画。仕女画创作明清时期,文学界“花间词”、“田园诗”蔚然兴起,古典小说、戏剧唱本家喻户晓,画坛上怡情适意的山水画、赏心悦目的花鸟画空前盛行,并对当时表现女性形象的仕女画创作产生了一定的影响。此时,男性画家已由此前侧重描绘贵族妇女转向了更广阔的表现领域,如才女佳人、仙佛故事、神话传说、历史故事
In the Ming and Qing dynasties, most of the boudoir painters followed the fashion and chose the creation of flowers and birds paintings. Only a handful of people participated in the creation of portraits for various reasons, drawing up a series of ladies’ paintings that reflected the social life of men Paintings by scholars and portraits of religious subjects. In the Ming and Qing dynasties, literary circles, “Huajian Ci” and “Idyllic Poems” rose in popularity. Classical novels and opera scripts are well-known in the public. They are pleasing to the people on landscape painting and pleasing birds and flowers. The performance of ladies’ paintings at that time had a certain impact. At this time, the male painter has focused on depicting the aristocratic women before turning to a broader field of performance, such as talented woman, cents Buddha stories, myths and legends, historical stories