“象男子佩剑一样,女人们用扇子武装自己。”十八世纪的才子约瑟夫·艾迪生在为英国《旁观者》周刊撰文中这样写道。当时,扇子可以说是上流社会的标志。从那时上溯几千年,扇子曾为男女两性服务,它还起着社会和艺术发展趋势的晴雨表的作用。埃及和东方古国曾使用沉重的木扇和铁扇,为了在首领们出征和战士们撤退时用这些扇子来保护他们。在马德里展出的文艺复兴时代保罗·维恩斯庄严的画卷上,绘着裸体的爱神维纳斯,用一把象一面小小的、骄傲的旗帜般的扇子,为她所钟爱的 “Like men’s sabers, women arm themselves with their fans.” 18th-century talented Joseph Addison wrote in an article for the British Bystanders Weekly. At that time, the fan can be said to be a symbol of high society. Since then, the fans have served men and women for thousands of years and have also served as a barometer of social and artistic trends. Egypt and the ancient Eastern countries used heavy wooden fans and iron fans to protect them with the help of their fans as they detonated and their soldiers retreated. On the majestic scroll of Paul Rennes’s renaissance exhibition in Madrid, painted a naked Venus, Venus, with a like a small, proud banner of fans, for her love