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电视纪录片的结构必须在拍摄过程中同时进行,才能把过程中散发出来的鲜活的生活变成一个故事,这就需要有较强的结构力。当代电视纪录片里,大段的无间歇跟踪拍摄,连续采访的同期声段落以及连续、完整、真实的细节已成为主要的结构方式。结构通常是叙事最直接、最重要的具体化形式,对在纪录片创作中逐渐形成的结构原则的尊重与否,将直接影响其创作质量。 1.结构取决于人的思辨能力 电视纪录片不象虚构艺术那样受预定的故事情节的束缚,而仅以人对客观事物的判断、认识作为线索,按实际生活的内在逻辑,把不同时空的事件或人联结起来,形成一个有序的镜头组合来传达信息。这就要求创作者在结构纪录片时,对生活有正确的认识和宏观把握,要具有思辨能力。无论是前期选
The structure of television documentary must be carried out simultaneously in the filming process to turn the vivid life exuded from the process into a story, which requires strong structural force. In contemporary television documentaries, a large segment of non-stop tracking shots, simultaneous interviews of simultaneous sound passages, and continuous, complete and real details have become the main structural modalities. Structure is usually the most direct and most important form of narration. Respecting the structural principles gradually formed in the documentary creation will directly affect the quality of its creation. 1 structure depends on the ability of people’s speculation TV documentary is not the same as the fictional art is bound by the story of the predetermined story, but only people’s judgment of objective things as a clue, according to the internal logic of real life, different time and space events Or people to form an orderly lens combination to convey information. This requires creators in the structure of documentaries, have a correct understanding of life and macroscopic grasp, to have the ability to think. Whether it is pre-election