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一对于《自重·自爱·革新》这么一篇肤浅而又微不足道的小文(见《剧剧文学》1986年第1期,以下简称《自重》),提出不同的看法,我是欢迎的。但陈雷同志在《戏剧革新思辨》一文中(见《戏剧文学》1986年第4期,以下简称《思辨》),却忽略了我在《自重》中的总体观点,丢开了某些问题的前提与我进行“商榷”。因为所谈的看法不碰“簧”,所以使我大有隔靴搔痒之感。例如,我明明说“只有珍重舞台戏的特点、作用,珍重舞台戏的艺术规律”,并在“爱它的长处”的基础上,“不断对舞台戏进
For a superficial and insignificant essay entitled “Self-respect, Self-love and Innovation” (see “Drama Literature”, No. 1, 1986, hereinafter referred to as “self-respect”), I welcome the proposal. However, Comrade Chen Lei ignored the general point of view in “self-respect” and lifted some issues in his article “Speculative Innovation in Drama” (see “Drama Literature”, No. 4, 1986, hereinafter referred to as “speculation” Premise and I for “discussion.” Because the views we talked about did not touch “spring”, so I felt a great sense of itch. For example, I said clearly that “only by focusing on the characteristics and functions of stage play and the art of valuing stage play” and on the basis of “loving its strengths”