声音、图像[1]和文字都是“意义”(meaning)的“生产”(produce)与“交换”(exchange)的载体,这一点是毫无疑问的。但不同的图像,其意义的生产和交换方式和过程都会存在着一定的差异,制作的场域各有不同,存在的空间和环境都会有所区别,其传播的对象各异。以墓室图像为例,作为一种特殊用途的图像,无论其制作、形态、效果还是意义,都有别于其他一般性的图像,从使用的场域来说,它是存在于一个密闭空间内的,从“意义”传播的角度来说,它则是生死“大限”之间跨越 There is no question that sound, images [1], and text are all carriers of “produce” and “exchange” of “meaning.” However, the different images have different meanings in terms of the production and exchange modes and processes. The fields of production vary from one place to another, and the existing space and environment will be different. The objects they spread are different. Taking a tomb image as an example, as a special-purpose image, its shape, effect and meaning are different from other general images. From the field of use, it exists in a confined space From the perspective of communication of “meaning ”, it is the span between life and death “deadline ”