以五指操纵的漳州布袋木偶戏的发展历程,与其他戏剧艺术的发展是相似的,都是走不断完善、不断创新、由低向高、层层递进的发展道路。而布袋木偶丑角艺术近年来在「完善自我」方面,做出了不懈的努力和成就。这一完善的过程,是从头部至腿部的整体表演,其要点是一个「活」字。把木偶操纵得随心所欲、得心应手,艺术家庄陈华当首屈一指。可以说,庄陈华在塑造、表演木偶丑角的同时,也把自己造就成一个木偶丑角表演艺术家。大凡有造诣的表演艺术家都对他所从事的行当有突出的贡献、技高一筹的创造,有能超越前人的表演技巧,以系统规范自己的风格、形成自己的流派;他们演出的代表剧目能久经观众检验,令观众赏心悦目,交口称赞。在布袋戏丑行中,庄陈华已达到了上述的境地。一《大名府》造就了庄陈华,庄陈华演活了守 The development of Zhangzhou puppet puppet show, which is controlled by five fingers, is similar to the development of other theater arts. They all follow the development path of continuous improvement and constant innovation, from low to high and progressive progress. The puppet clown art in recent years in the “perfect self”, made unremitting efforts and achievements. This perfect process is an overall performance from head to leg with the key point of a “living” character. Manipulation of the puppet arbitrary, handy, artist Chuang Chen Huachuangdeach. It can be said that while Zhuang Chenhua is modeling and performing the puppet clown, he also creates himself as a puppet clown performing artist. The most accomplished performing artists all make outstanding contributions to the professions in which he works, creating skillfully and surpassing his predecessors’ performance skills to systematically standardize his own style and form his own genre. The representative repertoire of their performances can last long After the audience test, so that the audience feast for the eyes, pay lip service. Zhuang Chenhua has reached the above situation in the puppet scandal. A “Daming House” created Zhuang Chenhua, Zhuang Chenhua played live defensive