清人刘熙载说过“书家无篆圣、隶圣,而有草圣。”因为草书之道千变万化,不可端倪,常人往往望而生畏,不敢涉猎。王冬龄先生也认为草书是书法艺术的极致,是抵达内心灵魂深处的书写。我近十年来专攻草书,自觉稍能得其一二。在三十余年的书法学习过程中我有幸遇到诸多名师,正因为有了他们的指导,才使我少走了不少弯路。1984年,我在浙师大数学系读大三期间,时任金华市书协主席的金鉴才先生应邀给我们作了一次书法讲座。讲座结束后经裘成源老师介绍,我兴冲冲地去义乌拜访了金先生,金先生当即书赠我“王僧虔云,书之妙道,神彩为 Qing Xizai Liu has said ”Booker no seal seal St., Li Sheng, and grass Sheng.“ Because the cursive way of ever-changing, can not be clues, ordinary people often daunting, not dare to dabble. Mr. Wang Dongling also considered cursive script as the ultimate of calligraphic art and the writing that arrived in the innermost soul. I specialized in cursive writing for the past ten years and consciously won one or two. During the more than thirty years of calligraphy learning, I have had the chance to encounter many famous teachers. It is precisely because of their guidance that I have taken a lot of detours. In 1984, during my junior year at Zhejiang Normal University majoring in mathematics, I was invited to give a calligraphy lecture by Mr. Jin Jiancai, the president of Jinhua City Book Association. After the seminar was introduced by Qiu Chengyuan teacher, I excitedly went to Yiwu to visit Mr. King, Mr. Jin immediately gave me a book ”Wang Monk Piyun, the book of Wonderland, God Choi is