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郭志红学习绘画的过程中,系统接受了西方绘画的艺术观念、造型语言和教学体制,同时珍存了中国传统书画的语言形式和表现手法,在这种碰撞中,发现中西美术艺术语言背后的审美精神特征和文化生存情境,实现感性和理性的互动,在西画的观察方式、表现语言中渗透诗画一律、唯美和谐的情怀;将东方的“心理和谐”与西方的“形式和谐”合理转换,将“由内而外”的“境生向外”与“由外而内”的
In the process of studying painting, Guo Zhixong accepted the artistic concept, styling language and teaching system of Western painting, at the same time cherished the language form and expression technique of Chinese traditional painting and calligraphy. In this kind of collision, he found the language behind the art of Chinese and Western art Aesthetic psychic features and cultural survival situations to realize the interaction between sensibility and rationality, and to permeate the poetry and the painting in the observation and expression language of the Western painting, aesthetic feeling of beauty and harmony; to harmonize the “psychological harmony” in the East with the western “form” “Reasonable conversion, ” from the inside out “” living out “and ” from outside to inside "