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东晋画家顾恺之在《魏晋胜流画赞》中说:“凡画,人最难;次山水,次狗马;台榭一定器耳,难成而易好,不待迁想妙得也。”这里把题材的难易截然分成几等,并把台榭等器物列为无须“迁想妙得”的对象,人们很难完全赞同,但他在绘画题材中特别标出“人最难”,却具有深刻的经验道理。因为人是一切艺术表现对象中最为复杂微妙的对象,并且是一切表现的题材对象中心,就是以山水、狗马、台榭、花草为题材对象的艺术创造,在深层意义上也是在表现着人,如清人袁枚在《续诗品·神悟》中所说:“鸟啼花落,皆与神通。人不能悟,付之飘风。惟我诗人,众妙扶智。”这就是说,艺
Gu Kaizhi, an artist from the Eastern Jin Dynasty, said in his “Wei Jin Sheng’s Painting Like Praise”: “Where painting is the hardest part of mankind, there are landscapes and horses; It is difficult for people to completely agree with the ease of categorizing the theme pavilions and other objects as objects that do not have to be relocated. However, Profound experience. Because man is the most complex and subtle object in all the objects of artistic expression, and is the center of all the objects of expression, it is the creation of art by the themes of landscapes, horses, terrace and flowers, and in the deep sense, Such as the Qing Yuan Mei in the ”continued poetic sentiment“ said: ”The birds cry flowers, all with magical powers. People can not enlightenment, to pay the gust of wind. But my poet, wonderful wonderful." That is to say ,art