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轻喜剧《妈,爸,我和白人女孩同居了》是加拿大华裔作家陈泽桓的成名作,它通过表现跨种族婚恋着重探讨了年轻一代加拿大华人在追寻文化身份时的困惑。该剧采用剧中剧结构对美国漫画书《黄爪》进行了模拟,既解构了人们心目中陈旧的华人模式化形象,又揭示了新的华人模式化形象,这些模式化形象对华人融入主流社会造成阻碍。陈泽桓并不是仅仅描写加拿大华裔青年的身份困惑,同时也通过男主人公马克最后的选择对加拿大华裔青年的未来进行了展望,暗示只有打破东/西方二元对立的思维模式,吸取中、西双方文化的长处,才能找到属于自己的道路。
Light comedy “Mom, Dad, I live with a white girl” is a famed masterpiece of Canadian Chinese writer Eric Chan, which focuses on the confusion of young Chinese Canadian in pursuit of cultural identity through her performance of interracial marriage. This drama uses the drama structure to simulate the American comic book “Yellow Claw”, which not only deconstructs the old-fashioned Chinese patterned image in the eyes of the people, but also reveals the new Chinese patterned images that are integrated into the Chinese Social obstacles. Chen Zehuan does not merely describe the identity confusion of Canadian Chinese young people. At the same time, through the final choice of male protagonist Mark, he looks forward to the future of Canadian Chinese youth. It implies that only by breaking the paradoxical thinking between East and West, In order to find their own way.