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在当代书法复兴进程中,书法报刊媒体无疑起到重要的历史开拓与推动作用,这是由当代书法的体制化所决定的。在这方面当代书法已完全有别于纯粹个体化的古代书法创作,从而展览、媒体、书法专业组织机构社会化运作与撒播机制构成了当代书法的显性存在特征。二十世纪七十年代末,在书法历史低谷期,海派书法中心上海《书法》的创刊,极大推动与加速了当代书法的复兴,并积聚起全社会的书法能量,从而成为书坛的舆论重镇。由《书法》发起的“首届全国群众书法
In the process of contemporary calligraphy revival, calligraphy and press media undoubtedly play an important historical pioneering and promoting role, which is determined by the institutionalization of contemporary calligraphy. Contemporary calligraphy in this respect is completely different from the purely individualized calligraphy of ancient times. Therefore, the socialized operation and dissemination mechanism of professional organizations of exhibition, media and calligraphy constitute the dominant existential characteristics of contemporary calligraphy. In the late 1970s, in the historical trough of calligraphy, the founding of the Shanghai Calligraphy Center of Shanghai School Calligraphy Center greatly promoted and accelerated the revival of contemporary calligraphy, and accumulated the calligraphic energy of the whole society, thereby becoming the public opinion of the calligraphy community The town. Initiated by ”calligraphy“ ”the first nationwide calligraphy