戏剧批评对于戏剧创作与演出以及整个戏剧艺术的健康发展的重要意义是不容置疑的。它不仅能够以客观、冷静的姿态对戏剧实践做出理性的评判,而且基于批评家深厚的理论素养、敏锐的艺术感受力以及对现实生存犀利的洞察能力,戏剧批评也能够以开阔的宏观视野对戏剧艺术的现状与未来走向做出更合理的展望,最终促进戏剧艺术乃至人类文明的健康发展。然而,当下的戏剧批评却并不能那么令人乐观,戏剧批评的形象和信义也似乎降到了有史以来最低点。最近笔者阅读了戏剧批评家傅谨先生的一篇题为《如何 The significance of dramatic criticism for the dramatic creation and performance as well as the healthy development of theatrical arts as a whole is undeniable. Not only can it make rational judgments on theater practice in an objective and calm manner, but also on the basis of critics’ profound theoretical accomplishments, keen artistic sensibilities and sharp insight into the realities of life, Make a more reasonable prospect of the present situation and future trend of theater arts and finally promote the healthy development of theater arts and even human civilization. However, the contemporary drama criticism is not so optimistic. The image and righteousness of dramatic criticism also seems to have dropped to the lowest point in history. Recently I read the article by the film critic Fu Jin entitled “How.”