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可以说,戏剧的开放观念以及对“情节剧”的拆解,使当代戏剧处于无类可归的边缘状态。从两个层面可看出这种边缘现象:一是戏剧艺术与他类艺术间的界限的模糊,一是生活与艺术之间区别的模糊。缩小甚至摒弃艺术与艺术、艺术与生活间的人为限阑,
It can be said that the concept of the opening of the theater and the dismantling of the “melodrama” make contemporary drama marginalized. This fringe phenomenon can be seen from two aspects: first, the blurring of the boundary between dramatic art and other art, and first, the vague distinction between life and art. Narrow or even abandon art and art, art and life between the artificial limits,