论文部分内容阅读
佛儿岩石窟是大足南宋道教石刻年代较晚的造像点,通过对该处道教造像的考察,认为在造像题材和图像样本上,与之前大足境内南宋道教造像存在着明显的传承关系,尤其是三清、六御、四圣等题材表现尤为充分,结合宋元时期中国道教艺术,可见集中在12世纪的大足南宋道教造像,具有较为浓厚的地域性,对于了解中国道教题材和艺术在宋代时期的演变是不可缺少的实物遗存。
The faerie rock grottoes were the later statues of Daozuo Southern Song Dynasty Taoist stone inscriptions. Through the investigation of the Taoist statues there, there is a clear inheritance relationship with the Southern Song dynasty Taoist statues in the Dazu territory before the statue statues and sample images. The themes of San Qing, Liu Yu and Si Sheng are particularly full of performance. Combining the Chinese Taoist art in the Song and Yuan dynasties, it can be seen that the Dazu Southern Song Dynasty Taoist statues concentrated in the 12th century have a strong regional character. For understanding the themes and art of Chinese Taoism, The evolution is an indispensable physical remnant.