行书点画之间须有草意,盖笔笔飞动,纯是天真横溢,无迹可寻。而有道劲萧远之致,必深得回腕藏锋之妙,而以自然出之。其先习黄庭洛神以端其本,其后习各种草书以发其气,其中又习数十种行书以成其格,安得不至妙境。行书之功十倍草书。或日古人有忙中不作草字,奈何?日:斯人斯时所未学者,草耳,未学则以为难,理或然欤?或日:此说误。不及作草者,不及起草再誊真耳。学行书即能通真,学真书不能通行。以此知行书之功不小。 There must be a sense of urgency between writing and painting, covering the pen flying, pure naive, no trace to be found. The right way Xiao Xiao Yuanzhi, will have won the wrist back hidden wonderful, and naturally out of it. The first study Huang Ting Luo God to end its own book, then study all kinds of cursive to send their own gas, of which dozens of kinds of practice books to become their grid, security is not wonderful. Practice book ten times cursive. Or Japanese people are busy doing nothing, how?? Day: Si Si Si no scholars, grass ears, did not learn to think hard, right or wrong? Or day: This is wrong. Not as good as the grass who can not drafting the real ear again. Academic books that can be honest, learn real books can not pass. In this knowledge of the book is not small.