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本文主要采用文献资料法、逻辑分析法等进行研究,旨在通过对康德《判断力批判》主旨精神的分析,在其先验美感理论的基础上对舞蹈审美存在本质进行深入研究,把人们对舞蹈的审美置于人的主体性原则当中,对舞蹈审美传统观点中所谓的下里巴人和阳春白雪之争的存在意义进行剖析,分析舞蹈审美回归本真审美的必要性和可行性,弥补了当代舞蹈审美理论的“主体性缺场”。
In this paper, the main use of literature data, logic analysis and other research, aimed at Kant ’s “Critical Judgment” the spirit of the analysis, based on the a priori aesthetic theory based on the existence of the essence of dance aesthetic in-depth study of the people of The aesthetic of dance is placed in the principle of subjectivity of man. The author analyzes the significance of the so-called dispute between the Lower Belle and the Spring Snow in the traditional aesthetic viewpoint of dance, analyzes the necessity and feasibility of returning aesthetic appreciation of dance aesthetics, Theoretical “lack of subjectivity ”.