不知从什么时候起,戏剧开始悄悄地不景气了。京津沪如此,全国各地如此,就连号称“戏剧大省”的吉林也不例外。但例外的是名不见经传的双阳县(也就是现在的长春市双阳区),他们在近二十年的时间里戏剧创作和演出却获得了空前的大丰收,一个设备几乎接近业余的县剧团为偌大的中国剧坛不断地贡献精品,为新时期的中国戏剧连续创作出《月难圆》、《三醉酒》、《三姓人家》等上乘之作;一届又一届的文化局长就像得了传染病一样全力以赴地投身于戏剧 I do not know since when the drama started quietly sluggish. So Beijing, Tianjin and Shanghai, so all over the country, and even known as the “drama province” of Jilin is no exception. The exception is the little-known Shuangyang County (now the Shuangyang District of Changchun), which has enjoyed unprecedented bumper harvests and performances for nearly two decades, and a facility that is almost amateur county theater For the huge Chinese theater continue to contribute fine, for the new era of Chinese drama continuous creation of “Moon”, “three drunk”, “three people” and other superior work; another session of the Cultural Secretary on Like a contagious disease go all out to engage in drama