若不是湖南邵阳的收藏痴迷者胡彬彬,大老远送来两块产自湘两南的明代木雕花板,我可能这辈子都不会想到,世上还有这么个盛产雕刻的所在。那木板上雕的是戏出——很传统,很古朴,没有彩画,也没有上漆,据说是旧时湘人架子床上的装饰,或者说是床头望板、栏板上装饰物的一种,看上去似不及人们熟悉的徽雕成熟、细腻,但韵致别具,风格浑成。于是,我终于有了一种欲望,去看看产生这艺术的地方。晚上从北京出发,翟日清晨就到了长沙。转乘上另一班列车,走走停停的,从长沙抵邵阳时,已经是下午。城里有家“三 If not Hu Shaobin, a collectors addicted to Shaoyang in Hunan Province, sent me two pieces of Ming dynasty wood carving plates from Hunan and Hunan, I may not have thought of it in my life. There is such a place for rich sculpture in the world. That wooden carving is play - very traditional, very simple, no color painting, no paint, is said to be the bed of the old Xiang people on the bed decoration, or the headboard, a decorative plate Species, looks like less familiar with people familiar with the emblem of mature, delicate, but rhyme unique, muddy style. So, finally, I had a desire to see where this art came about. Departure from Beijing at night, Zhai early morning arrived in Changsha. Transfer to another train, stop and go, arrived in Shaoyang from Changsha, it is already afternoon. City home "three