有很久一段时间,准确地说直到现在为止,我都想做一个戏子。父亲说,站在圈外的你,不会懂得那光鲜背后的辛酸。我说,我知道,并且为此做好了一切准备。哪怕被唾弃,哪怕被伤得大哭,我也情愿。戏子,在一般正统的家庭观念是不被接受的。就像《长恨歌》中的王琦瑶,风光的上海小姐,胭脂固然艳丽,却难掩生活的苍白。一个让男人一见倾心的女子,度过了数着日影度日的寂寞无聊,度过了干涸的眼里浑浊的老泪。女人的青春很短,能拿来挥霍的日 For a long time, to be exact, until now, I wanted to be a dramatist. My father said that you stand outside the circle, you will not understand the bitterness behind the bright. I said, I know, and I am ready for that. Even if cast aside, even if crying hurt, I also wish. The play is unacceptable in the general orthodox family view. Like the “Everlasting Regret” in the Wang Qi Yao, Miss Shanghai scenery, rouge though gorgeous, but hard to conceal the pale of life. A man let a man love at first sight, spent countless Japanese lonely day boring, spent the dry eyes of cloudy tears. Women’s youth is very short, can be used to squandering day