每一张画都是我生活中琐碎的影子,看到我的画,或许感受到我对生活的思考。很久以来,我就倾心于对城市的关注,这种近乎痴迷的观察都反映在绘画当中。我所在的城市——郑州是一座典型的中国内陆城市,快速崛起的高楼大厦慢慢占据着城市的天际线,带有童年记忆的老街道和老建筑也都无所遁形,纷纷被贴上了“拆除”的标签,这些街道和建筑虽然杂乱无章,破败不堪,但却是生活在这个城市的所有人一段生活的共同见证,它们的消失也意味着我们自己一段生活历史的消亡。《即将消逝的风景线》就是带着这种感情创作出来的。画中我加入了明显的构成因素,使画面呈现出一种现代特征。在画面视点的处理上,我有意地降低视点,使画中一个街道建筑物的断面最大限度地放大在画面空间当中,并展现出游刃有余的视觉效果。在对建筑物,行人和汽车的处理上,强调平面效果,使得画面中的笔触和线条都能够完整地融入到画 Every painting is a trivial shadow in my life. When I see my paintings, I may feel my thoughts on life. For a long time, I was very much concerned about the city. This almost obsessive observation is reflected in the painting. My city - Zhengzhou is a typical inland city in China. The rapid rise of tall buildings slowly occupy the city’s skyline. Old streets with old memories and old buildings also disappear, On the label “Demolition,” these streets and buildings, although disorganized and dilapidated, are testimonials of the lives of all who live in the city and their disappearance implies the demise of a period of our own life. “The passing landscape” is created with this kind of feeling. In the painting, I added obvious elements that made the picture show a modern character. As for the processing of the viewpoint of the picture, I deliberately lowered the viewpoint so that the section of a street building in the picture was enlarged to the maximum extent in the picture space, and the visual effect was demonstrated. In the treatment of buildings, pedestrians and cars, emphasis is placed on the plane effect so that the strokes and lines in the picture can be completely integrated into the painting