论文部分内容阅读
上世纪80年代以来,因改革开放而引发的经济体制改革不仅创造了经济高速发展的奇迹,也促使我国的文化格局发生了重大的根本性的变化。在此期间,电视纪录片经历了从文化形态、表现内容、审美范式、技术手段等方方面面的变迁和转换。如何考察和评价纪录片领域的这一现象,显然已不仅仅是纪录片本身所需要研究和思考的问题,同时也是文化产业和文化研究的重要命题。本文拟从考察改革开放以来我国社会文化语境的变迁入手,将纪录片作为一种文化现象来观照,试图探究这一时期纪录片文化形态、审美范式、传播趋向等方面的变化与发展,阐发和揭示其转换的动因、过程和特点。
Since the 1980s, the reform of the economic structure triggered by the reform and opening up has not only created a miracle of rapid economic growth, but also has led to major fundamental changes in the cultural pattern of our country. During this period, the TV documentary underwent various changes and transformations from the aspects of cultural forms, contents, aesthetic standards and technical means. How to inspect and appraise this phenomenon in the field of documentaries apparently is not only the issue that the documentary itself needs to be studied and considered, but also the important proposition of cultural industry and culture research. This paper attempts to start with the change of the social and cultural context in our country since the reform and opening up, and make the documentary as a cultural phenomenon, trying to explore the changes and development of documentary cultural patterns, aesthetic paradigms and dissemination trends in this period, The motivation, process and characteristics of its conversion.