西北是中国的厚土。西北民歌是炎黄歌曲最强健的血脉,是雄性之根,代表着中国歌唱中最血性、雄奇、豪迈的部分。在我看来,对一个民族而言,一切新音乐的爆发都是传统的爆发。但十数年来新音乐的历史,传统的爆发极其稀微。中国音乐面临着血虚,它被“加入统一标准的世界化”的潜在愿望驱使着,变得平庸而麻木。 Northwest is China’s thick soil. Northwest folk song is the most robust blood of Yanhuang songs, is the root of the male, representing the most bloody, magnificent, heroic part of Chinese singing. In my opinion, for a nation, the outbreak of all new music is a traditional eruption. But over the past ten years the history of new music, the outbreak of tradition is extremely rare. Chinese music is confronted with blood deficiency, driven by its potential aspirations for “universalization into a unified standard,” becoming mediocre and numb.