论文部分内容阅读
书法作品的欣赏和评价,历来没有固定不变的标准。不同的观点与认识,不同的学习与教学,不同的追求与取舍,各有各的说法。在这些人看来是好的作品,而在另些人眼里或许就不是好作品。所以就有了“北碑”和“南帖”之别、“妍美”与“朴拙”之分。即便是历来能够公认的“神品”“逸品”“能品”的赏评标准,在今天的审视和把握中,定位也是因人而异的。就我自己的看法来说,一幅好的书法作品,应具备五种素质,(按观赏顺序)即干净;传神;承古;赋新;文美。
Appreciation and evaluation of calligraphic works, there has always been no fixed standard. Different views and understanding, different learning and teaching, different pursuits and choices, each with its own argument. These people seem good works, but in the eyes of others may not be a good work. Therefore, there is a distinction between “BeiBe” and “NanTian” and “Yan Mei” and “PuZhu”. Even in the past, the rewards and rewards standards that have been universally acknowledged as “God ” “Essence ” “energy ”, in today’s review and grasp, the positioning also varies from person to person. In my own opinion, a good calligraphy should have five qualities, which are clean (in order of appreciation); vivid; bearing the ancient; Fu Xin; Wen Mei.