大江健三郎是日本新文学旗手,其作品“存在着超越语言与文化的契机、崭新的见解、充满凝炼形象的诗”。早在青年时代大江就积极从事文学创作活动,开始崭露头角,并最终开启了他辉煌灿烂的文学创作之路。短篇小说《鸟》创作于1958年,正是大江健三郎初登文坛之际。20世纪50年代后半期,日本社会度过了艰难的战后恢复期的同时,美国政治对日本的干涉和影响,也使日本失去了战后革命的可能性。受西方自由民主主义思想熏陶成长起来的日本年轻一代,对当 Oe Kenzaburo is Japan’s standard-bearer of new literature, his work “there is an opportunity beyond the language and culture, new insights, full of condensed image of poetry.” As early as in his youth, Dajiang actively engaged in literary creation and began to emerge, eventually opening up his brilliant and brilliant literary creation. Short story “bird” was created in 1958, it is Kenzaburo Oe Ken first board literary occasion. In the latter half of the 1950s, while Japan experienced a difficult post-war recovery period, the interference and influence of U.S. politics on Japan also made Japan lose the possibility of a post-war revolution. The younger generation in Japan, influenced by the liberal ideology in the West, should be right