关于东西方美学的话题,是一个很大的课题,我不是专业的学者,只是从我有限的个人经验和创立“上下’品牌的实践中谈一些心得和领悟。观点不成体系,也可能只是一家之见,仅以之作为单纯的分享。我比较幸运,因为家庭环境的关系,可以在很小的时候就有机会接触到比较正统的传统文化。小时候和哥哥一起跟着程十发学国画,跟韩天衡学书法。在现在看来,这样的经历,最关键的可能不是在于学到的技艺本身,而更多是传统文化氛围的熏陶。我后来在法国读书和创作,这些传统文化的影响就更明显地显示出来。尽管我在学习和日常的经验中也受到非常多的西方文化的影响,从思维方式到美学理念,可以说是非常西化的环境,然而我在创作的时候,会不自觉地回到传统文化中来寻找,这好像是非常自然而然的过程。因为我们的根 The subject of East-West aesthetics is a big topic, and I’m not a professional scholar, just talking about some experiences and insights from my limited personal experience and the practice of creating ”up and down" branding. One opinion, only as a simple sharing .I am more fortunate, because of the family environment, the relationship can be a very early age have access to more orthodox traditional culture .With a brother and his brother along with Cheng Shifa learn Chinese painting, with Han Tianheng Learn calligraphy now seems that such an experience, the most crucial may not be the skills learned, but more influenced by the traditional culture.I later in France, reading and writing, the impact of these traditional culture is even more obvious Although I have been influenced by a great deal of Western culture in my study and daily experience, I can say that it is a very Westernized environment from the mode of thinking to the aesthetic concept. However, when I was writing, I unconsciously returned It seems like a very natural process to look for in traditional culture because our roots