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很明显,这是一个巧合。我多年来一直知道,香港艺术节的工作人员是绝不会向香港国际电影节的节目策划组咨询,更谈不上一起合作的。但上个月,香港的歌剧迷却有机会欣赏菲利浦·比齐亚(Philippe Beziat)执导的、以“歌剧台前幕后”为主题的《排练茶花女》(Becoming Traviata)这部电影。影片跟踪拍摄了女高音娜塔莉·德赛(Natalie Dessay),记录了她在法国埃克斯普罗旺斯艺术节(Aix-en-Provence Festival)排演维奥莱塔(Violetta)一角的过程。而香港国际电影节安排的放映日期与香港艺术节
Obviously, this is a coincidence. I have been aware for many years that the staff of the Hong Kong Arts Festival will never consult the planning department of the Hong Kong International Film Festival, let alone work together. Last month, however, opera fans in Hong Kong had the opportunity to admire the Becoming Traviata directed by Philippe Beziat on the theme of “The Backstage of the Opera House” the film. The film follows the soprano Natalie Dessay and records her rehearsal of the corner of Violetta at the Aix-en-Provence Festival in France. Hong Kong International Film Festival and Hong Kong Arts Festival