悠悠荡漾的小船,徐徐吹拂的和风,轻柔的海浪拍打着深褐的礁石,蓝天里朵朵白云阒静而又飘逸,高高飞溅的浪花曼妙而又轻盈……这是吕洪仁教授文革时期创作的《乌石滩》。与教授同时期的《细雨蒙蒙》、《秋收后》以及《野塘清趣》等其他作品一样,无论画面的主体安排还是背景处理,无论是某些人物肖像的精雕细刻,还是现实风景的写意描摹,那种放浪辽阔的豁达畅意,都能让人由衷感觉。 Long waves of boats, the gentle blowing of the wind, gentle waves of the sky beat the brown reef, blue sky clouds and quiet and elegant, high splashes of the spray graceful and light ... ... This is Professor Lv Hongren during the Cultural Revolution “Wushi beach.” Like other works such as “Rain in the Rain”, “After the Autumn Harvest” and “Ye Tong Qing Qu” in the same period, no matter the arrangement of the main body of the picture or the background processing, whether it is carving of some portraits or reality Freehand portrayal of the landscape, the kind of broad-leave-that-wave of freedom, can make people heartfelt feelings.