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小品组合如何突破“看图说话”的局限,走向“意境”创作的高度,让其更富有中国传统美学“象外之旨”的留自之美、含蓄之美?这局组合作了有益的探索:以空灵的长方形白色瓷盘为座,浅灰色圆台状的沙岩居于布局的右前方,上置有褐色的一壶两盏,旁边还有绛红、灰黄的作为把玩石的茶宠各一,象征此前有茶人抚石品茗对饮,其天人合一之乐、人人和谐之乐的情趣尽在这留白之中。
How to break through the limitations of “sketch” and “the mood of creation” to make it more rich in beauty and implied beauty of traditional Chinese aesthetics Cooperative useful exploration: the ethereal rectangular white porcelain plate as a seat, light gray truncated cone-shaped sand living in the layout of the front right, there are two pots of brown pot, next to there are crimson, gray and yellow as a play Stone tea pet each one, a symbol of the tea before the stone tea on the drink, the harmony of man and nature, all the fun of the harmony of music to make it in this blank.