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记得几年前,曾有专家提出:“要在音乐创作上提倡本土化的创作,防止贵族化和低俗化的倾向。”~①对于这个建议,笔者举双手赞成。目前国内的专业音乐界、流行音乐界的确有一部分作品似乎占据了这两个极端——要么曲高和寡、不知所云、演完一次后便被束之高阁,要么一味迎合市场和受众、在艺术上一览无余、极力通过音乐以外的文章来赚取关注,在某种程度上让原本对音乐艺术颇为敬仰的受众无所适从。可喜的是,2013年9月22日在美国纽约林肯中心举办的“中国故事:大地之歌——叶小纲与底特律交响
I remember a few years ago, some experts suggested that ”we should promote the creation of music in the localization, to prevent the tendency of aristocracy and vulgarization.“ ”① For this proposal, I give both hands in favor. At present, there are indeed a few works in the professional music industry and pop music industry that occupy these two extremes - either solitary or incomprehensible. After being played once, they are put to rest, or blindly cater to the market and the audience at a glance of art , Tried hard to earn attention through articles other than music, to a degree that made audiences who were originally admired of music art know what to do. The good news is that on September 22, 2013 at the Lincoln Center in New York, USA, "The Story of China: The Song of the Earth - Ye Xiao Gang and Detroit Symphony