长久的文化封闭,极左政治的影响,现代舞的命运曾经像是“灰姑娘”——动辄就挨打。20世纪五十年代,一代宗师吴晓邦“天马”腾空,却羁绊坠地;留美博士郭明达鼓翼欲飞,却铩羽而去。抵抗西方封锁的中国舞蹈误将“现代舞”视为“洪水猛兽”而“谈虎色变”。中国现代舞者吟着骆宾王的诗感慨: “露重飞难进,风多响易沉。”最终,当沉重的历史之门打开,八面来风徐徐吹入…… Long-term cultural closure, ultra-left political influence, the fate of modern dance used to be like “Cinderella” - easily beaten. In the 1950s, a generation of great master Wu Xiaobang flew empty but restrained himself. Dr. Guo Mingda, a doctor in the United States, wanted to fly but plucked away. The Chinese dance that resisted the Western blockade mistook for “modern dance” as a “scourge of blood” and “talk of change.” Chinese modern dancer Yin Luo Bin Wang’s poem feeling: “The heavy weight of the fly difficult to enter, the wind sounded more easily Shen.” "Finally, when the heavy door of history opened, all sorts of wind slowly blew into ... ...