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刘军民在《新闻爱好者》撰文《新闻中的想象》,提出了在采写新闻中如何认识和运用想象的问题。文章指出,新闻必须实事求是,不能虚构捏造,这当然是不可动摇的基本原则。然而长期以来许多人把想象作为虚构捏造而拒之门外,鲜见有人敢于理直气壮地“离经叛道”。这也是不符刘军民在《新闻爱好者》撰文《新闻中的想象》,提出了在采写新闻中如何认识和运用想象的问题。文章指出,新闻必须实事求是,不能虚构捏造,这当然是不可动摇的基本原则。然而长期以来许多人把想象作为虚构捏造而拒之门外,鲜见有人敢于理直气壮地“离经叛道”。这也是不符合新闻写作的实践存在价值要求的。文章阐述,心理学告诉我们,想象就是人脑对已有表象,即对在感知客观事物的基础上头脑中保留的形象进行加工改造而创造新形象的过程。人们采写新闻,由于所需要的具体事实仅仅发生在特定的时间和地点,不可能每次都让记者等撰稿人亲眼见到、亲耳听到,并且尽收眼帘,尽入耳鼓。事后的调查也已是雪泥鸿爪,或者众口不一,这就需要撰稿人不得不以这些已非原汁原味的材料为基础进行再造想象了。文章列举了列宁的《1月9日后的彼得堡》、毛泽东的《别了,司徒雷登》等新闻作品中通过再造想象和创造想象,把新闻事件的场面真实、准确又生动形象地再现出来的具体事例。文章最后指出,通过再造想象和创造想象进行场面复原、人物复原、细节复原,是新闻写作中不可缺少的。但各种新闻中的所有想象,都绝对不能游离于真实性的基石之外,不能添枝加叶,不能张冠李戴,更不能无中生有。
In Liu Junmin’s article, “Imagination in News” written by “News Enthusiast,” he raised the issue of how to understand and use the imagination in writing and reading news. The article points out that the news must be realistic and can not be fictionalized, which of course is the unshakeable basic principle. However, for a long time many people reject their imagination as fictitious fabrication. It is rare that some people dare to confidently “deviate from one’s atrocities.” This is also a misunderstanding of Liu Junmin’s “Imagination in the News” written by “News Enthusiasts” and raised the question of how to understand and use the imagination in writing and reading news. The article points out that the news must be realistic and can not be fictionalized, which of course is the unshakeable basic principle. However, for a long time many people reject their imagination as fictitious fabrication. It is rare that some people dare to confidently “deviate from one’s atrocities.” This is also the value of the practice does not meet the needs of the news writing requirements. The article states that psychology tells us that imagination is the process by which the human brain creates a new image by processing and reconstructing the existing image, that is, the image preserved in the mind based on the perception of objective things. When people write and write news, because the specific facts they need only happen at a specific time and place, it is impossible for journalists and other copywriters to see and hear them with their eyes and ears at all times. After-hours investigations have been muddy hung, or mixed, which requires writers had to rely on these non-authentic materials as the basis for reimagining. The article enumerated Lenin’s “Peterborough after January 9” and Mao Zedong’s “Farewell Studender” and other news pieces that recreate imagination and create imagination to reproduce the scene of the news event in a true, accurate and vivid way case. Finally, the article points out that recreating scenes, recovering figures and restoring details through the reconstruction of imagination and creation of imagination are indispensable in news writing. However, all the imagination in various news should never be detached from the cornerstone of authenticity. They should not be added to the truth or clinging to the slightest but indiscriminate.