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五四时期的学人对待民间文化有的是以启蒙者的姿态,唯科学主义地以决然的价值态度排斥一切民间旧俗,鲁迅却以自己具有的民俗学理念,不仅从京剧和地方剧的角度体察民众的心情,感受以及民众的生存状态,并且从对京剧的思考上升到西方审视下的京剧象征性符号指向和民族寓言的性质。
In the May 4th period, scholars treated folk culture as enlightenment, scientifically resolutely rejected all folk customs, and Lu Xun used folklore theory of his own not only to understand the people from the angle of Beijing Opera and local drama The feelings and feelings of the people and the living conditions of the people, and from the thinking of Peking Opera to the symbolic symbols of Peking opera and the nature of national allegories under the Western scrutiny.