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2月6日,本刊召开了“第四代导演研讨会”。以往,我们对第三代、第五代导演都作过比较广泛的研讨,而比较集中地研讨第四代,这则是首次。第四代是承先启后、开创新时期电影新局面的一代。他们所处的历史、社会环境,使得他们的成长、发展格外艰辛。第四代是个性鲜明的一代,他们在创作上异彩纷呈。因此,我们对第四代的研究,是将他们放置在中国电影发展的历史长河中加以考察的,他们的工作对于中国电影的发展有着至关重要的作用,无论是对中国电影的研究,对新中国电影的研究,还是对新时期电影的研究。他们都是无法回避和忽视的创作群体。下面发表的是第四代自己和评论家们评说第四代及其作品的一组文章,作为一种学术探讨,我们期望能继续深入下去。
February 6, the magazine held a “fourth generation director seminar.” In the past, we conducted extensive discussions on the third generation and fifth generation directors, and concentrated on the fourth generation. This is the first time. The fourth generation is the generation that inherited the past and opened up a new era of film in the new era. Their history and social environment make their growth and development extremely difficult. The fourth generation is a distinctive generation, they are colorful in creation. Therefore, our study of the fourth generation is to examine them in the long history of Chinese film development. Their work plays a crucial role in the development of Chinese films. Whether it is the study of Chinese films, The study of new Chinese movies, or the film of the new era. They are all creative groups that can not be avoided or overlooked. The following is a set of articles by the fourth generation who themselves and critics comment on the fourth generation and its works. As an academic discussion, we expect to continue further.