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中国山水画不同于西方的山水画。写实是它们共同的特性,传达了更加突出山水画的精神情感。在山水画中存在抽象意味的山水画,也存在山水画是以笔墨为中心的,中国的山水画都不以造境为重要手段。在中国不同类型的山水画之间,中国山水画更多的在传达着每个人的主观心境、精神和情感,这才是山水画所表现的核心目的。因此,“意境”可以称之为把各种类型山水画的共同的精神范畴的追求。在创作过程中中国山水画家通过笔墨技法的运用反映出来的意境,中国山水画意境的运用是当代很值得研究探讨的一个重要课题。本论文通过研究中国山水画中意境的发展历史,并探索中国画家如何在山水画中运用出其存在的意境。
Chinese landscape painting is different from the Western landscape painting. Realism is their common characteristic, to convey the spirit of the more prominent landscape emotion. There are abstract landscape paintings in landscape painting, but also landscape painting is centered on brush and ink, and Chinese landscape painting is not an important means of making the territory. Between different types of landscape paintings in China, Chinese landscape painting is more to convey the subjective mood, spirit and emotion of each person, which is the core purpose of landscape painting. Therefore, “artistic conception” can be called the pursuit of the common spiritual category of various types of landscape painting. In the process of creation, Chinese landscape painters reflect the artistic conception through the use of brush-and-ink techniques. The use of the artistic conception of Chinese landscape painting is an important topic worthy of study in the contemporary era. This thesis studies the history of the development of artistic conception in Chinese landscape painting and explores how Chinese painters apply their artistic conception in Chinese landscape painting.